By: Michael Kernan and Lisa Macklem

The tension between Right of Publicity and Section 230 of the Common Decency Act (CDA) is an example of the sort of issues that are highlighted by our increasingly digital environment. Local, state and federal courts have weighed in without providing a consensus. 

Right of Publicity Claims

Many attorneys have confronted the issue of a client’s name and/or picture (likeness) being taken for advertisements on the internet or social networking websites.  These causes of action are “Right of Publicity” claims. 

In other words, everyone has the right to make money from their name and likeness.  Specifically, these causes of action require appropriation of a Plaintiff’s name or picture for defendant’s commercial advantage, meaning Defendant used the name or likeness to promote a product or service.  These claims are generally considered to be intellectual property claims, which are not subject to Section 230 immunity, but there is a split in authority. 

Six courts have addressed right of publicity

Six courts across the United States have analyzed whether Section 230 of the CDA bars right of publicity claims.  Those six courts are all Federal decisions, and come from the First, Second, Ninth and Eleventh Federal Circuits.  Only the Ninth Circuit has determined that immunity bars right of publicity claims. 

  • First Circuit: Universal Communication Systems, Inc. v. Lycos, Inc. (1st Cir. 2007) 478 F.3d 413, 422-23 (state law claims for trademark dilution are “[c]laims based on intellectual property laws are not subject to Section 230 immunity”); and Doe v. Friendfinder Network, Inc., 540 F. Supp. 2d 288, 302 (D.N.H. 2008) (Disagreeing with Perfect 10 decision (cited below) and holding that a state claim for infringement of the right of publicity is an intellectual property claim, such that the CDA does not immunize an ISP from liability.).

 

 

 

How would the United State Supreme Court rule in light of this split?  The Doe v. Friendfinder Court noted how the United State Supreme Court interprets the word “any” in a statute enacted by Congress.  It explained:

“the modifier “any” in Section 230(e)(2), employed without any limiting language, “amounts to ‘expansive language [that] offers no indication whatever that Congress intended [a] limiting construction.’ ”

540 F. Supp. 2d at 302, quoting the United State Supreme Court in Harrison v. PPG Indus., 446 U.S. 578, 589, 100 S.Ct. 1889, 64 L.Ed.2d 525 (1980).  The term “any” law pertaining to intellectual property should mean just that “any” law, which obviously includes state intellectual property laws.

            The Atlantic court’s discussion of the erroneous analysis in Perfect 10 and that case’s inherent contradiction to other Ninth Circuit cases is worth quoting.  The party seeking immunity from the state law intellectual property claim in that case, Playlist, relied on the Perfect 10 case.  The rejected the reliance on that Ninth Circuit opinion stating:

In support of its position, Playlist relies heavily on a 2007 Ninth Circuit case in which the Ninth Circuit held that the term “intellectual property” in the CDA really means “federal intellectual property.” See Perfect 10, Inc. v. CCBill LLC, 488 F.3d 1102, 1119 (9th Cir.2007) (“In the absence of a definition from Congress, we construe the termintellectual propertyto meanfederal intellectual property.’ ”).FN10

FN10. This aspect of the Perfect 10 Court’s holding appears to be inconsistent with other Ninth Circuit precedent. See, e.g., SEC v. Gemstar-TV Guide Int’l, Inc., 367 F.3d 1087, 1095 (9th Cir.2004) (“Absent a definition from Congress, we interpret the words using their ordinary, contemporary, and common meanings.”), rev’d en banc on other grounds, 401 F.3d 1031 (9th Cir.2005); Bonnichsen v. United States, 367 F.3d 864, 875 (9th Cir.2004) (“It is axiomatic that, in construing a statute, courts generally give words not defined in a statute their ordinary or natural meaning.”) (internal citation and quotations omitted); United States v. Mohrbacher, 182 F.3d 1041, 1048 (9th Cir.1999) (“Where a statutory term is not defined in the statute, it is appropriate to accord the term its ordinary meaning.”) (internal citation and quotations omitted).

The problem with Playlist’s argument is that it lacks any support in the plain language of the CDA.FN11 In four different points in Section 230(e), Congress specified whether it intended a subsection to apply to local, state, or federal law. See 47 U.S.C. §§ 230(e)(1) (“any other Federal criminal statute”), (3) (“any State law” and “any State or local law”), (4) (“any similar State law”) (emphasis added in all). It is therefore clear from the statute that if Congress wanted the phrase “any law pertaining to intellectual property” to actually mean “any federal law pertaining to intellectual property, ” it knew how to make that clear, but chose not to. Cf. Barnhart v. Sigmon Coal Co., 534 U.S. 438, 452, 122 S.Ct. 941, 151 L.Ed.2d 908 (2002) ( “[I]t is a general principle of statutory construction that when Congress includes particular language in one section of a statute but omits it in another section of the same Act, it is generally presumed that Congress acts intentionally and purposely in the disparate inclusion or exclusion.”); United States v. Gonzales, 520 U.S. 1, 5, 117 S.Ct. 1032, 137 L.Ed.2d 132 (1997) (holding that “any other term of imprisonment” includes both state and federal terms of imprisonment*704 because “Congress did not add any language limiting the breadth of that word, and so we must read [the statute] as referring to all ‘terms of imprisonment’ ”).

 FN11. The Ninth Circuit did not engage in a textual analysis in Perfect 10.

Moreover, the modifier “any” in Section 230(e)(2), employed without any limiting language, “amounts to ‘expansive language [that] offers no indication whatever that Congress intended [a] limiting construction.’ ” Doe v. Friendfinder Network, Inc., 540 F.Supp.2d 288, 299 (D.N.H.2008) (quoting Harrison v. PPG Indus., 446 U.S. 578, 589, 100 S.Ct. 1889, 64 L.Ed.2d 525 (1980)). This conclusion is bolstered by the fact that, as discussed above, the “surrounding statutory language” supports the conclusion that Congress intended the word “any” to mean any state or federal law pertaining to intellectual property. See ACLU v. Dep’t of Def., 543 F.3d 59, 69 (2d Cir.2008) (holding that word “any” in statute “deserves an expansive application where the surrounding statutory language and other relevant legislative context support it”). 

Because the plain language of the CDA is clear, as “any law” means both state and federal law, the Court need not engage in an analysis of the CDA’s legislative history or purpose. See Lee v. Bankers Trust Co., 166 F.3d 540, 544 (2d Cir.1999) (“It is axiomatic that the plain meaning of a statute controls its interpretation and that judicial review must end at the statute’s unambiguous terms. Legislative history and other tools of interpretation may be relied upon only if the terms of the statute are ambiguous.”) (internal citations omitted).

The question of how the United States Supreme Court would rule remains open.

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Here are a few solid points for lawyers working on social media.
1.  ON BEING ON SOCIAL MEDIA: “Social media is to marketing what email is to business communication.”
2.  ON BLOGGING:  “Start a legal blog.  As far as arrows in your quiver, there is nothing more powerful you can do online to enhance reputation than start a blog, Ambrogi said. Blogs allow you to demonstrate knowledge and expertise while building trust-filled connections with colleagues and potential clients.”
3.  OTHER SOCIAL MEDIA TIPS:
“• Don’t overreact about ethics rules. Follow the same etiquette for sharing (and common sense) that you would at a professional cocktail party.
• Complete your full profile on LinkedIn. More than 100 million professionals are connected on the site and that number grows daily.
• Look at who your competitors are connected to on the Web. Ask if that is someone you should be connected to as well.
• Start slow. Trautz suggests a minimum of one status update a week that shares legal insight, a news story or anecdote of interest to your followers.
• Fish where the fish are. Facebook is the most highly trafficked website in the world and, according to Ambrogi, a great tool for nurturing your existing network.”

FOR THE FULL ARTICLE GO TO:   http://www.abajournal.com/news/article/lawyers_who_ignore_social_media_equal_to_cavemen_who_refuse_to_hunt_te/


S. Michael Kernan, Esq.

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Sardar Law Firm provide a short history of the right to privacy and how social media presents unique problems for the private individual. Are posts on networking sites private or public? The fact that different states answer the question differently and different sites have different privacy policies only further muddy the waters for most individuals.

The full article can be found here:

http://socialmedialegal.wordpress.com/2011/05/20/privacy-what/

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Darren Cahr points out that California seems to be leading the way in creating social media rules for the rest of the country. The two bills at the center of Cahr’s article are SB242 that deals with social networking site users’ ability to set their privacy settings and SB761 that deals with “do not track” rules. Cahr questions how these Californian approaches will impact on the rest of America.

The complete article can be found here:

http://www.legallysocial.com/2011/05/california-making-social-media-policy-for-america/

 

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By: Lisa Macklem and Michael Kernan

 

With over 500 million Facebook users, chances are either you or members of your company are on Facebook. Facebook is a great tool for business; it allows you to better sell to your customers as you get to know them better. You also get to know what is important to them, and it’s  an easy way for you to check in with customers. According to Facebook’s statistic page, people are spending in excess of 700 billion minutes a month on the social networking site.

However, we have all heard stories about the embarrassing post on Facebook that made someone look foolish. This article gives advice on how to better secure your Facebook, and take steps to prevent your company, or one of your employees, from looking foolish on Facebook.

 

Number 1

Change your privacy settings on your Facebook account to benefit your company.

Facebook has a profile privacy page that lets you change your settings to release only certain information to certain people. Review it to understand what is possible. You can change your settings so information is not available to anyone or only to some of your customers.

Here’s a link to a Youtube video on how to change your security settings: http://www.youtube.com/watch?v=q0sPYcxSxqs

Number 2

Create friend lists from your customers.

Facebook allows you to create friend lists to treat people differently and allows you to set different terms as to what customers can see or do. Friend lists are a great answer to protect against what customers can see on your Facebook page. It takes a little time to set this up for all of your customers, but it is well worth the time to prevent that picture of you from college from being shown to your customers who follow you on Facebook.

Number 3

Always use HTTPS.

You can increase your security on Facebook by always using an encrypted channel. This is just one more way to ensure you know exactly with whom you are sharing information.

Number 4

Be aware of who your friends are.

Take control of what you put on your page, in case your friends are your competition. What your “Friends” display on your wall may harm the relationship with your customers or your image. Make sure to adjust privacy settings to craft what is and what is not available to your customers or competition.

Number 5

Get notified when you are “tagged.”

You can set your notifications to alert you whenever someone tags you in anything. It’s a good idea to know what is being said about you and by whom as well as anyone who may be using you as a reference or authority. You can receive notifications for anytime you are tagged in a photo, video, or post. You can also configure your Facebook page so that only you see when you are tagged in a photo or video.

Number 6

Keep up with Facebook because they frequently change privacy and security settings.

Make sure that you keep abreast of any changes to Facebook’s settings as they frequently change without warning. This could result in information being made available to everyone. It’s a good idea to double check all settings after there has been a change as older posts may not update automatically even when you do re-set privacy and security settings.

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By: Michael Kernan

(as published in TV Week/Advertising Week)

What will be the “I Love Lucy” of mobile? The answer remains to be seen. When TV was first invented, most television producers came from radio and did not know what to make of this new medium. So they put radio on TV, and it was less than impressive. Then “I Love Lucy” came along, and it showed what could be done with a filmed show that plays to television’s strengths.

The parallel can be drawn that the answer to mobile is to produce specifically for the medium. That said, here are a few tips for producing mobile video.

Produce specifically for the screen. First, consider the screen size of the device the person will be viewing. Most cell phone screens on the market are approximately 2 inches. However, as mobile video becomes more popular, handset makers are designing larger screens. For example, the Apple iPhone has a 31/2-inch screen.

One helpful pointer when shooting video for mobile devices is to use close-up shots. Wide shots lose focus, which makes it difficult for the viewer to see the characters.

Similarly, the fewer people in each shot the better. If a single character is in the shot, it is not necessary to frame the actor in the center. The character can be set to the side, using the rest of the shot to capture background or something else integral to the shot.

In choosing a background, use the simplest background that makes sense for the project. Overly complex backgrounds will not translate well to mobile and will detract from the focus.

Avoid TV techniques. Camera techniques used in television and film, such as tilting or zooming, do not cross over to mobile. The least amount of camera movement possible is best. The same is true for character movement. A lot of movement by a character is hard to watch on a mobile device.

Of course, camera movement should not be excluded entirely. But the camera should move much slower and allow the scene to remain on screen longer than in other mediums. Finally, fast cuts between scenes are difficult for the viewer to comprehend and should not be used.

However, not all television techniques are bad. Storyboarding should be used in planning the video, just as it is in film and television.

Lighting is extremely important. The best lighting to use is soft lighting. Lighting for mobile video is even more important than lighting for other media. Avoid any fluorescent lighting (unless specifically designed for filming) and dimly lit areas. One lighting technique that has been successful for mobile video is to have a sharp contrast between the background and the characters. This helps highlight the character without overloading the viewer and compromising the clarity of the video.

Avoid text. Text or subtitles most likely will distract the viewer. The small size of the screen makes it difficult for the viewer to pay attention to the text. It is better to use audio to get the message across.

Audio is integral to mobile video. Until handsets improve, speakers of mobile devices have a very limited capability. This is especially true when using frequencies on the lower end of the audio spectrum. Bass-heavy audio should not be used, as it will distort the mobile device’s speaker.

Many mobile video viewers wear headphones. Thus, audio should highlight the action taking place in the video. Any unnecessary sound effects or dialogue should be removed. Dialogue should be crisp and clean.

Think about where the video will be viewed. As the name “mobile video” implies, viewers will be watching the content in a vast array of situations. Thus, assume distractions. Plot lines or dialogue should not be so involved that if the viewer misses something, he is lost. This also should be considered when planning character development and in introducing new characters.

The most successful original-content mobile videos are those that present the characters and plot in a clear way to the viewer.

Be prepared for compression issues. Another pre-shooting issue to consider is that the content will eventually need to be compressed. Producers who have made content for the Internet are already familiar with content compression.

When it comes time to edit, getting rid of empty frames will help reduce the size of the file that must be compressed. The frames per second used in shooting the video should be lower than traditional television frame speed. However, the frame speed should not be reduced to the degree that the quality of the video is drastically reduced. Advances in the technology, such as Qualcomm’s MediaFlo, will eventually reduce compression concerns.

(With special thanks to Ryan Goodell.)

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Stay tuned for an exciting new site devoted to Social Media Law.

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